Some day a douchey blogger or even worse Chuck Klosterman will be paid too much to teach a class about “Pre-Internet Dating”. Hopefully said dude/douche will have a full week devoted to Gibby Miller and his contributions to social networking. Thirty-somethings will remember how much resistance there was to the interweb and creating an online persona. Using a credit card, getting an email address, wasting time at work on AIM and getting your first link to shit-porn were all foreign and strange to a generation that still wrote letters and checks. There was no way in hell you’d ever think to skim profiles of lonely losers who could hide behind doctored photos in order to find a date.
In July of 2000 in evil Boston, MA Mr.Miller innocently started an online community: makeoutclub.com. The idea was to create a place to “form bands, start zines, find roommates and to submit user records, photographs and art to the site for everyone to see“. You weren’t sifting through photos of secretaries that enjoy “walks on the beach” and “Dave Matthews Band” instead you could search a database of Pre-Suicide Girls and dark-jeaned-Sauconied Boys by age, location and interest. If you were a 22 year old doughy fan of Belle and Sebastian in Idaho a potential make out or zine co-editor was a click away. The master stroke was turning the focus away from creepy predators and homely Stephen King reading women and creating a place to be a normal human being translated digitally with ones and zeros. We’ll refer to anything pre-2000 to be the internet’s “Dead Ball Era” and post 2000 as it’s “Steroid Era” because starting with Makeoutclub getting laid got a lot easier for everyone, with everyone’s IM name proudly displayed along with their interests an MOCer could throw out 20 instant message icebreakers in a few minutes hoping to get a bite, it’s an advanced version of complimenting every woman’s tits until one is actually flattered, you’re just yelling “Ian Curtis R.I.P.” or “Were you at the Pill last night?” instead.
MOC did all the hard work and like anything the biters came in, scooped the idea and made the real money. The internet wasn’t just for introverted hip youth anymore it was for everyone, Andy Abercrombie and Holly Hollister needed a place to swap photos of pep rallies too so Myspace jumped off and yeah whatever, who gives a shit. Take a minute to thank Gibby for helping you get laid or even find a life partner and then check out his latest endeavor : Dais Records.
Started in August of 2007 with partner and archivist to Genesis P-Orridge, Ryan Martin, Dais has put together an impressive and eclectic string of releases. Staring with Early Worm the “a transfixingly lo-fi recording of the first to tape experiments by Throbbing Gristle and Psychic TV figurehead Genesis P-Orridge“(excerpt taken from Swingset Magazine’s online review here) Dais has set a standard of releasing beautifully packaged releases with the care and passion the recordings deserve. Gibby’s spirit is stitched into every facet of the releases from the sounds on the grooves to the aesthetic and name of the label “A dais (pronounced Day-iss) is a raised platform reserved for something important, dignified, special” explains Miller ” Examples would be a raised podium platform on a stage for a speaker or the raised step where thrones would be in a king’s hall. The logo is a child’s drawing of a coyote - but it is representative of all animals to us. It is also a Wolf, a Raccoon, or a Fox. It is the face of Nature and wild energy and passion. Where I live in the hills surrounded by Griffith Park in Los Angeles at night all you hear are the howling of the coyotes - hence our well-wishing “greetings and love from the howling hills”. There is plenty of howling after dark on the streets of Ryan’s town in Brooklyn as well - depending on how late you stay awake… and how well you listen.”
Dais is currently taking pre-orders for the Cold Cave 12″ EP described by Miller as “Dark minimal synth from Philly. The A-side is this odd 4am bouncy summer anthem - hard to describe but highly addictive, and the B-side contains two heartbreaking tracks with pulsing synths, very danceable beats and deep vocals.” Cold Cave’s earlier tracks laced noisy sound manipulations with dance beats and pained vocals, but the Dais EP showcases a new more regal and deliberate sound. The seductively lush soundscapes dancing around the commanding beats ease you into a romantic malaise. Addictive dance beats are balanced by playfully subdued vocals kissed with authority and wisdom. My gripe with most modern dance music is that it’s still guarded by kitsch, humor or technology, created by quirky Pro-toolers schooled by Vice Magazine and blog-culture. Cold Cave gives you something to latch onto without being heavy handed or overly dramatic. What the Chromeos and Crap Copies forget is that when people were busting their asses to make new sounds it was done with blood and sweat not irony, the result is usually as thin sounding as the mp3s their shit is released on. CC gives you the connection and love you want not a walk down bad memory lane sponsored by instant nostalgia and bad vodka.
Grab this immediately as it’s being pressed in a limited run of 500 copies and then since you’re already there add the Whip and The Body 7″ and the Cult of Youth LP A Stick to Bind, A Seed To Grow. The Whip and The Body will greet you with sheets of grinding power electronics until Cult Of Youth commands you to bed with an LP of early Death In June influenced pagan lullabies. For about fifty dollars total you can own some beautiful documents of sound and art and pay back Gibby for the good times you’ve had by way of social networking. Oh and Gibby is sorry for knocking that drink out of your hand in 1999 while you were dancing to “Common People“.
























