

At Glasto last night: ’chard Ashcroft posing like only a Brit-pop frontman can, Godlike. The Sunday line-up for V Fest in B-more features Lil Wayne, Kanye West, and Bob Dylan.
The video Anthony posted of our New York boy Jigga dissing at Oasis at Glasto by performing “Wonderwall” with a guitar reminded me that the UK still runs the best fests, despite the glut of festivals here in recent years (Coachello, Boner-roo, and Lolla just don’t cut it). Better yet, Jigga at Glasto was front page news across the UK, something no festival could do here. The most emailed stories at every Brit paper (Independent, Guardian, Times etc) were Jigga-praise tales. The Guardian review closed with: “What does it all mean, maan?: Hip hop is RIGHT for Glastonbury. Times have changed Mr Gallagher.”
And the most emailed in all of the UK (pop 60 million): “A Glasto Legend is Born,” claims the Independent:
His name on the bill sparked the type of controversy that rarely surrounds Glastonbury Festival. A hip-hop act isn’t what the traditional field-dwellers have come to expect, and even Noel Gallagher, a god in these parts, decried his inclusion.
But last night Jay-Z took the Oasis star’s criticism and turned it into one of the great Glastonbury moments. Taking to the stage flanked by guitarists and in front of a Union Jack backdrop, the rapper led the sizeable crowd in a sing- along of “Wonderwall”.
It was a moment that will surely go down in festival folklore. But the rest of his set was also impressive, although at times it felt more like a Barack Obama rally than a festival gig.
The Guardian ran a funny, great Verve review, actually addressing (Oasis vs Verve) issues John raised last week:
Where and when: Pyramid stage, Sunday, 10.25pm
Dress code: Manc cool. Richard Ashworth looks slinky in a leather jacket and sunglasses.
In a nutshell: “Shout out to Jay-Z,” says Verve frontman Richard Ashcroft, in bullish good form, “but tonight it’s rock’n'roll.” It’s a promise that the Manchester braggards more than uphold. Moving from the psychedelic swirl of Rolling People to the cathartic, classic pop of Sonnet and Lucky Man, Ashcroft and co delight old fans and surprise some who thought they weren’t up to the challenge of their Pyramid stage headline slot. “We’d like to thank Emily Eavis,” says Ashcroft. “I hope Dad realised why she booked us now. I think he was worried we wouldn’t be as good as Keane.” After this performance, which ends with the fantastic hedonism of Love is Noise, even bessie mates Oasis should be looking over their shoulder.
Who’s watching: Lads looking for an anthemic sing-along and the chance to cuddle their mates without embarrassment.
High point: A dead heat between the acoustic majesty of The Drugs Don’t Work and the celebratory swagger of Bittersweet Symphony.
Low point: Too many protracted wig-outs turn the muscular Verve flabby
Mark out of 10: 8
What does it all mean, maan?: Carlsberg still tastes ok with man-tears in it
How do you beat 80,000 people standing in a field sorted out for E’s and wizz?
There is one American festival this summer that may live up to the hype. On Day 2 of the V Fest in Baltimore—August 10th—Kanye West and Lil Wayne perform alongside Bob Dylan (and BRMC). Weezy and West are the two biggest solo artists in America right now. Dylan is the biggest solo artist in America ever. If late-60s America was all about not having to be a weatherman to know which way the wind blows, then the late 00s are all about George Bush not caring about black people. About a Namish quagmire in Iraq. About a Hurricane named Katrina. About a time when people had the audacity to hope in the wake of said hurricane and tragic war that change was possible. About a moment from which Barack Obama rose.
Millions of hippies hate Kanye for performing at 430am (after originally being scheduled of 8pm) at Boner-roo, but his set lead every single review of the festival (NYT, WaPost, AP, Rolling Stone, SPIN). As in, the first sentence was Kanye. So he effectively stole the show—and the headlines. Having seen Kanye perform last May, I can attest that he transcends rap.
For Wayne, the Baltimore show is his biggest of the summer. You know, the same summer where his record sold a million copies in one week, the same week he had the number one single, ringtone, and download. The summer he won the BET viewers choice award. Look for a Dylan at Newport type performance.
I don’t care as much about Dylan, but just to see him on the same stage is going to be fun.